Hi-Ho Bolero

I’m yanking something from the Little Steven show that’s linked in the previous post. It’s Jeff Beck’s one and only 1960’s 45 in America under his own name. It’s a British riff on the Lone Ranger’s trademark call, “Hi-Ho, Silver… awaaaaaaaaaaaay!”

According to Joel Whitburn, the release date of “Hi-Ho Silver Lining” was 5/20/67, and it sat at #123 on Billboard’s Bubbling Under chart for only two weeks. The sound of this fantastic single scratches a major musical itch for me. Rod Stewart is lurking in the chorus. The guitar break sounds like it could have been an influence on Queen’s Brian May.

There’s a lot of disagreement about the now-legendary “Beck’s Bolero” on the B-Side, that was recorded almost a year earlier. Everything about this recording seems to be in dispute, from who wrote the track, to the producer credit, to the musician line-up.

Something that’s certain is “Hi-Ho Silver Lining” was first done by The Attack, a British band that never reached the American charts. It’s worth comparing this recording, excellent in its own way, to Mickie Most’s production.

Record Keeper

“Oh, I got all your stuff, Joel.” — Elton John

Joel Whitburn has passed away. Whitburn’s scrupulous cataloguing of the Billboard song charts is appreciated by many who enjoy popular music and the radio biz, pros and fans alike.

https://www.billboard.com/music/chart-beat/joel-whitburn-dead-charts-books-record-research-1235087319/

Whitburn’s determined realization of his obsession reminds me of Andrew Sandoval, whose impeccable work I enjoy very much. Whitburn tracked everything that charted, while Andrew devotes a great deal of effort into finding the countless obscure 45’s from the 60’s that never charted.

https://wfmu.org/playlists/CZ

More Mach Schau!

Andrew at Parlogram Auctions delves into the Beatles’ forced return to Hamburg in late 1962. It had been almost exactly a year since Ringo sat in for Pete Best at the Cavern, making it inevitable that he would become a Beatle.*

I have both an American and a German copy of the LP. Andrew prefers the German pressing, and so do I, but it must be noted that both editions are in that most irritating of audio formats, “fake stereo” (with Haeco-CSG processing being a close second).

This mono copy sounds nice and solid. Saying something is “SUPER RARE” is funny, because that’s no longer true the moment it’s on YouTube.

*All These Years: Tune In, Extended Special Edition, by Mark Lewisohn, Vol. 2, pgs. 1044-1045