Siriusly Broken

Streaming of live SiriusXM stations is having serious problems. The Android app works for a while, but every so often it has gone silent. [Update: It seems stable now.] A Web browser plays only archived shows, and the Roku app completely locks up making the attempt before crashing. I was fine with the PC app being a no-op, but obviously they are having much more Sirius difficulties going on at XM. The satellite radio signal is unaffected.

After all this time, so many years into the digital revolution, it’s still all so fragile. One tiny change anywhere in the process — intentional or not, malicious or not — can bring it all crashing down. At least the satellites are still up there.

Update: The problem appears to be limited, at least for me, to Little Steven’s Underground Garage channel. I didn’t see how a single streaming source could break the application, but it was the last thing to check, and that was it. I have the phone number for “advanced support” at SiriusXM. Assuming it will be closed on Labor Day, I’ll call on Tuesday.

Update: No need for me to call. When you need action, make a DJ request!

Chris Carter’s British Invasion
We know about the complaints about the stream that some of you are having. We can’t really do anything about it at the moment, because it’s the weekend (moreover, a long holiday weekend).
But believe us… it WILL be addressed on Tuesday.
Thanks for listening, as always.

Bits of Film to Bits of Data

Part 4 of Light & Magic gets into ILM of the 80’s when, by that time, they were turning the crank on analog/optical special effects. There was some burnout within the ranks, along with a feeling that they’d reached the limit of what could be done with cameras and physical objects.

The EditDroid, that I discussed here previously, is credited as the start of the push by George Lucas into digital technology. After that, Photoshop and Pixar were created. (Yes, Photoshop had a Lucas connection.) That’s a DEC VAX 11/780 minicomputer shown at the start of the video.

A Long Time Ago…

Syd Mead concept illustration for United States Steel that became the basis for the AT-AT walkers in The Empire Strikes Back

Much of the third part of Light & Magic, Lawrence Kasdan’s ILM documentary on Disney+, is about the making of The Empire Strikes Back. Something I’ve neglected to say is, the clips from Star Wars and Empire are from the original film elements, with scratches and speckles intact.

Seeing these widescreen HD snippets of the movies as they first appeared in movie theaters, even the color differences compared to the “corrected” digital releases opened doors in my memory. It would be wonderful if Disney were teasing us for an upcoming re-release of the original Star Wars, before the “New Hope” title was added in 1978. What is much more likely is that Kasdan wanted to show examples of the special effects that were faithful to what the ILM team created.

My favorite moment in part 3 is when illustrator Joe Johnston talks about Syd Mead’s portfolio of concept paintings for United States Steel.

One of Mead’s paintings has a vehicle with a split rear window. It reminds me of the 1963 Corvette Stingray, a car that fascinated me as a kid.

https://sydmead.com/category/gallery/us-steel/

1963 Corvette Stingray with split rear window

To the Library!

With the pandemic being more or less under control, I’ve started visiting the town library. Nothing says I’m an old retired guy more than that.

During a fundraising campaign to renovate and expand the library I donated $1000. The Boston Globe, that I no longer have delivered at home, is there. Along with several magazines of interest, The Economist, Scientific American, and Smithsonian.