Tag: Beatles

Joe Sinnott, from Bing to Beatles

Joltin’ Joe Sinnott’s granddaughter Erin has been posting a very enjoyable weekly series of video Q&A’s with Joe on his Facebook page. Joe’s fans and friends know that he’s a big fan of Bing Crosby, and this week’s question comes from a fellow Der Bingle fan, who’s none other than my co-conspirator in fanboy endeavors, Dennis F. Rogers.

[flv:http://s3.amazonaws.com/dogratcom/Video/2012/JoeSinnottBing.flv 512 384]

Joe’s praise for Bing singing the plaintive Hang Me, Oh Hang Me makes it deserving of a listen, so here it is.

[audio:https://s3.amazonaws.com/dogratcom/Audio/2012/12/BingCrosby.mp3|titles=Bing Crosby – Hang Me Oh Hang Me]

I’m pleased no end that Joe Sinnott also has a connection to the Beatles, because when they came to America in 1964, Joe had the distinction of being picked to illustrate the authorized comic book of their story…

… and here’s Joe talking about drawing the Beatles. A couple of years later he would be in the thick of his legendary run with Jack Kirby on The Fantastic Four.

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Lost and Found Rock and Roll

I’ve been very busy and distracted lately, so a tip of the ol’ Dograt toupee to Samjay, for spotting this item about an upcoming special event at movie theaters. It’s the complete video of the Beatles’ first live concert after their first appearance on The Ed Sullivan Show. The concert was at a rather shabby venue, the Coliseum in Washington, D.C. on February 11, 1964. It was taped by CBS and shown in movie theaters over closed circuit TV the following weekend.

As I wrote in late 2010, iTunes had the complete concert video available for viewing, and this new presentation is a return to the original intended format. Regarding the concert video having been lost, there is more background at this link. I don’t know if this alleged master tape was the source used for this latest presentation, but it seems possible.

http://youtu.be/t-pBqLGhMU0

A Hard Day’s Write

Richard Lester, who directed the two truly great Beatle films, A Hard Day’s Night and HELP!, has received a Fellowship from the British Film Institute. With the recent death of Davy Jones, I’ve been hearing the old assertion that the Monkees TV show was based on AHDN, but I just don’t see it. HELP! was clearly the model for the series, with producers Raphelson and Schneider drawing inspiration from the fantasy of the boys living together in a quirky, colorful pad, full of groovy stuff.

I have high praise and thanks for author Ray Morton, and his book about the making of A Hard Day’s Night. Besides being a solid and thorough telling of the background and production of the movie, in A Hard Days Night: Music on Film Series, Morton did something no other writer on the subject has done — he gets the facts right about Prue Bury, and for that I am sincerely grateful. Ray Morton can be heard on Reject Radio talking about the movie and his book at this link. He comes in at 40:30 into the podcast.

Back in 2002, Rolling Stone had a piece about the Miramax DVD release of A Hard Day’s Night, and it has one of the classic promotional photos of the Beatles with (l-r) Pattie Boyd, Tina Williams, Prue Bury, and Sue Whitman.

By coincidence, and to my great amusement, that issue also had this item:

So the first time that Doug Pratt had a connection to Prue Bury, it was a different Doug Pratt!

Back on a train of thought

It’s always a treat seeing pictures of Prue Bury for the first time. This one came from The Gilly on Tumblr. Prue was waiting for hairdresser Betty Glasow to take the pins out of her hair, and John pretended to cut it himself.

It’s interesting that John did that, in light of these comments by Prue:

John threw me by saying, “I hear you don’t like our singing!” Oops, what do I say to that? It is true that in one of the newspaper interviews I had said that I was impressed by their sharp repartee more than their singing! On reflection, a dumb thing to say. I plead nerves! Naturally I denied it and said the obvious, that one could never believe what one read in the press and wiggled out of it.

The boys were great fun on the train and kept Pattie and I laughing with their jokes. They were easy to get on with and natural in their behaviour, although John was the most reserved, and so when we were not shooting we sat and joked and smoked a lot… just cigarettes!! !! Ringo was mad about taking photos and snapped everything in sight, including me.

So even though John was the most reserved Beatle on that occasion, he was comfortable enough with Prue to play with her hair. But he didn’t get as silly as George did, wearing one of the hats the girls had — I assume it was Pattie’s. This picture is from the Yahoo group, Pattie Boyd’s Sixties Style.

All of these pictures were taken by Astrid Kirchherr, who signed this gallery print.

And here’s one of the snapshots that was taken by Ringo. I used it on Prue’s birthday last year. Lynn at Pattie Boyd’s Sixties Style did a great job of image editing to hide the page seam.

Pop and circumstance

A few minutes ago I made an edit to this page on Wikipedia, about the Buckinghams. It had said, “The group opposed the producer’s treatment of the song “Susan” by adding a psychedelic section that sounded very similar to the Beatles’ song “A Day in the Life”, with an orchestral crescendo.”

http://youtu.be/aIacsdOfKAQ

I edited the article to note that the orchestral crescendo included a bit of Charles Ives’ Central Park in the Dark. Composed in 1906, it was, to say the least, ahead of its time and wasn’t performed publicly until 1946.

http://youtu.be/1qPZbHNuZzI

I love the song Susan, its production, the recording and, yes, the Charles Ives break too. In my opinion, the single coming after A Day in the Life is beside the point, because I think it’s far more significant that Susan came before Revolution 9.

http://youtu.be/LVf5Cr4M-F8