Richard Thompson closes his ‘Cul de Sac’

Cartoonist Richard Thompson has announced that he is ending his celebrated comic strip, Cul de Sac. A few years ago, Thompson announced that he had been diagnosed with Parkinson’s Disease. The young-onset variety, like Michael J. Fox has. A couple of months ago, Thompson’s friend and ally Chris Sparks raised money for the Fox Foundation with Team Cul de Sac: Cartoonists Draw the Line at Parkinson’s. I’m so glad that Thompson was able to delay his announcement until after the release of the book. In the heyday of newsprint Cul de Sac would have appeared in 1000 papers. It’s been one of the reasons why I’ve kept home delivery of The Boston Globe, and I will miss it.

Outsourcing

I haven’t been feeling the blogging bug lately. Too much else going on, my mind on other things, etc. Some of the material I was going to post has been donated to better homes — favorite sites that are devoted to single subjects.

Rob Steibel runs the excellent Kirby Dynamics blog for the Jack Kirby Museum. I sent Rob scans from two magazines with articles about Stan Lee that were published ten years apart — Castle of Frankenstein (1968), and Circus (1978).

I am a devoted follower of the tipper-topper mostest bestest Beatles photo blogger, The Gilly on Tumblr. A long time ago I said I would post Ringo’s Photo Album from 1964, but after scanning the magazine I decided that The Gilly would do a superior job of presenting it, and I was right. The scans are at this link.

Look! Up in the sky! Listen! Up in the Fresh Air!

Terry Gross on Fresh Air interviews Larry Tye, author of a new book about Superman and the men who created the character.

Tye apparently isn’t essentially a comic book fan, which is perhaps a good thing. I don’t know yet how he portrays Siegel and Shuster, the creators of Superman. In recent years it’s become apparent that there was a lot to not like about writer Jerry Siegel the man, and Joe Shuster drew sleazy fetish illustrations, perhaps out of financial necessity and/or an interest in the genre. There’s a Fresh Air segment about that, too.

He’s Mighty Sore!

At the request of Mark Sinnott, I scanned a picture of the original, unedited cover to Journey Into Mystery #83 that his dad, Joltin’ Joe Sinnott, inked over Jack Kirby’s pencil art, for the first appearance of The Mighty Thor. Hover over the color picture to see how the illustration looked on Joe’s drawing table. Click here to see the scan I’m sending to Mark.

A point of particular interest to Silver Age comic book fans is the fact that the figures of the alien stone men were removed (undoubtedly at Stan Lee’s direction) during post-production, after Joe had inked them and turned in the finished job. Later, another comic book inker, who I shall not name, took it upon himself to sometimes erase background figures from Jack Kirby’s penciled pages, rather than ink them.